116 Pearl Street Then

116 Pearl Street Then
1920's Photo of Pearl Street

116 Pearl Street Today

116 Pearl Street Today
Our new location

Welcome To The Dorcheat Museum Blog

Thank you for visiting the Dorcheat Historical Association and Museum Blog. The Dorcheat Historical Museum opened June 10th, 2008. Our hours are, Tuesday - Friday from 10 a.m. - 1 p.m., closed for lunch from 1 p.m. - 2 p.m., open again from 2 p.m. - 4 p.m. Saturday hours are 10 a.m. - noon and also by appointment for special showings and meetings. We would like to invite you to visit our location at 116 Pearl Street in Minden, Louisiana. We look forward to sharing our history with you.
For more information please contact museum director
Schelley Brown at 318-423-0192.

Help Keep The Past Alive

Help Keep The Past Alive

Hours of Operation & Map

Hours of Operation & Map
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Marathon on Broadway

Marathon on Broadway
Put Your Dancing Shoes On And Show Your Support Of The Museum

Marathon On Broadway

Marathon On Broadway
Don't Miss This Fun Way To Raise Money

Some Important Information

"Marathon On Broadway"

Dorcheat Historical Association Takes Part In Festival Of Memories… By Remembering the Great Depression
Dance Marathons of the 1920s and 1930s
Dorcheat Historical Association Takes Part In Festival Of Memories… By Remembering the Great Depression
The Dorcheat Historical Association invites you to put your dancing shoes on for the November 6th - 7th, 2009 24 hour “Marathon on Broadway”. This dance marathon reminiscent of the marathons that became fads during the depression era will be a step literally back in time, with dancers competing for the chance to win some big money! This event will take place at the Minden Civic Center as a fundraiser for the museum. The event will be open to the public for viewing with a $5.00 admission fee. Food and drinks will be available for purchase on site. Participants will be in 3 categories with dancers as young as 12 allowed to dance with a guardian’s permission. Prizes awarded in all categories plus a Grand Prize of $1000 will be awarded to one lucky winner. Pre-registration is $20 per person, $25 per person day of event. Age divisions are as follows 12-40, 41-59, 60 plus. Museum director Schelley Brown stated, “The different age groups will be dancing for different lengths of time. But anyone that would like can dance the entire time to compete for the $1000 Grand Prize. If you dress in 1920s – 30s costume you can also earn extra break passes. This is going to be something that we hope our teens as well as our 40 plus crowd participates in!” Don’t miss lots of fun, music and food for everyone. Brown stated she also needs volunteers to help with this event. For more information please contact Schelley Brown at 318-423-0192.

Marathon on Broadway


2009 Dancer Registration Form
This from is to be used for registration purpose only.
Fee is $20 per person pre-registration. Day of marathon fee is $25 per person. Checks must be made out to the Dorcheat Historical Association Museum, Inc. Mail checks to Dorcheat Museum P.O. Box 1094 Minden, La. 71058. Pre-registration ends October 31st.
Name of Contestant: Please Print

___________________________________________________________________
Parent or guardian signature if dancer is under the age of 18 plus a contact phone number in case of emergency.

________________________________________________________________________
Signature Contact Numbers

Address: _______________________________________________________________
Street City State Zip
Marathon on Broadway Waiver of Liability, Assumption of Risk, and Indemnity Agreement
!!!!DANCE AT YOUR OWN RISK!!!!
Waiver: In consideration of being permitted to participate in any way in the “Marathon On Broadway” Dance Contest, hereinafter called “The Marathon”, I for myself, my heirs, personal representatives or assigns, do hereby release, waive, discharge, and covenant not to sue the Dorcheat Historical Association Museum, Inc. board members, museum members, employees, Minden Civic Center employees, City of Minden and its employees, Cultural Crossroads, Inc. board members and employees, owners and employees of Coca-Cola Bottling of Minden, Inc., Party Express Catering owners and employees and any other persons or company associated with the “The Marathon” from liability from any and all claims including the negligence of “The Marathon” , resulting in personal injury, accidents or illnesses (including death), and property loss arising from, but not limited to, participation in “The Marathon”.
Assumption of Risks: Participation in “The Marathon” carries with it certain inherent risks that cannot be eliminated regardless of the care taken to avoid injuries. The specific risks vary from one activity to another, but the risks range from 1) minor injuries such as scratches, bruises, and sprains, 2) major injuries such as eye injury or loss of sight, joint or back injuries, heart attacks, and concussions to 3) catastrophic injuries including paralysis and death.
I will obey the rules of “The Marathon” This is a family fun activity and we want everyone to enjoy the event. We ask that the following rules be followed or you will be asked to leave “The Marathon”: 1) No wild or dirty dancing behavior at any time. 2) No drinking of any alcoholic beverages is allowed on City of Minden Property. 3) No profanity, fighting, pushing or shoving is allowed during “The Marathon” 4) Proper attire is required for all participants.
I have read the previous paragraphs and I know, understand, and appreciate these and other risk that are inherent in “The Marathon”. I hereby assert that my participation is voluntary and that I knowingly assume all such risk.
Indemnification and Hold Harmless: I also agree to INDEMNIFY AND HOLD “The Marathon” volunteers, organizers, and all sponsors and any other participants HARMLESS from any and all claims, actions, suits, procedures, cost, expenses, damages and liabilities, including attorney’s fees brought as a result of my involvement in “The Marathon”
Severability: The undersigned adult 18 or over further expressly agrees that the foregoing waiver and assumption of risks agreement in intended to be as broad and inclusive as possible to protect ALL persons and or businesses, and City of Minden affiliated with “The Marathon”.
Acknowledgment of Understanding: I have read this waiver of liability, assumption of risk, and indemnity agreement, fully understand its terms, and understand that I am giving up substantial rights, including my right to sue. I acknowledge that I am signing the agreement freely and voluntarily, and intend by my signature to be a complete and unconditional release of all liability to the greatest extent allowed by law. You must be a parent or guardian or adult to sign below.

SIGNED______________________________________________________DATE_________________
A little marathon history to get you started.

Dance Marathons were an American phenomenon of the 1920s and 1930s, where human endurance contests in which couples danced almost non-stop for hundreds of hours (as long as a month or two), competing for prize money. Dance marathons originated as part of an early-1920s, giddy, jazz-age fad for human endurance competitions such as flagpole sitting and six-day bicycle races. Dance marathons persisted throughout the 1930s as partially staged performance events, mirroring the marathon of desperation Americans endured during the Great Depression. In these dance endurance contests, a mix of local hopefuls and seasoned professional marathoners danced, walked, shuffled, sprinted, and sometimes cracked under the pressure and exhaustion of round-the-clock motion. A 25-cent admission price entitled audience members to watch as long as they pleased. Dance marathons were held in Spokane, Seattle, Yakima, Wenatchee, Bellingham, and elsewhere. They occupied a slightly disrespectable niche in society, and many towns banned them, finding them disruptive, disturbing, and even repugnant.
Dance marathons were known as "bunion derbies," and "corn and callus carnivals." Promoters called them "walkathons." Social dancing had only recently acquired a veneer of respectability through the efforts of wholesome married dance teams like Vernon and Irene Castle. At a time when many churches still considered dancing sinful, "walkathon" was a less threatening term. But today we remember these endurance contests of the Great Depression as "dance marathons."
Dance marathons were both genuine endurance contests and staged performance events. Professional marathoners (often pretending to be amateurs) mixed with authentic hopeful amateurs under the direction of floor judges, an emcee, and the merciless movement of the clock to shape participatory theater. Both grim spectacle and vaudeville-based amusement, dance marathons offered an inexpensive chance for audiences “to be entertained and while away time” They also offered audiences the Depression-era novelty of feeling superior (and feeling pity) toward someone else.
Despite their controversial status, during the 1930s dance marathons were entrenched in American culture. Dance marathon historian Carol Martin reports that nearly every American city of 50,000 people or more hosted at least one endurance dance marathon.
Fifteen minutes each hour were allotted for rest. When the air horn signaling a rest period sounded, the contestants exited the dance floor for curtained-off rest areas filled with cots. These rest areas were segregated by sex. Contestants trained themselves to drop instantly into deep sleep as soon as their bodies touched the cots. After 11 minutes the air horn sounded again and the contestants filed back onto the dance floor to begin another hour. Female contestants who didn’t wake at the end of 11 minutes were revived with smelling salts (and slaps), and male contestants were often dunked in a tub of ice water.
Medical services were available to contestants, usually within full view of the audience. Physicians tended blisters, deloused dancers, disqualified and treated any collapsed dancer, tended sprains, and so on. "Cot Nights," in which the beds from the rest areas were pulled out into public view so the audience could watch the contestants even during their brief private moments, were also popular. The more a marathon special event allowed the audience to penetrate the contestants’ emotional experience, the larger crowd it attracted.
By the late 1930s, dance marathons had faded from the cultural landscape. Ordinances prohibiting the contests, combined with dwindling "virgin spots," discouraged promoters. America’s entry into World War II sent former marathoners and their audiences to work and to war. Glimmers of the fad remained, however, in roller derbies, which were televised and persisted into the 1960s, and in walkathon/fun runs benefiting charity. Even dance marathons themselves resurfaced, albeit in a form so tame as to be unrecognizable, as charity fundraisers. These modern marathons are usually 12-24 hours, a far cry from the Spokane show that closed October 12, 1935, after 1,638 hours (about two months).

Membership and Contribution Levels

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Membership Dues and Contribution Levels:
· Individual - $20.00

· Family - $40.00
· Sustaining - $75.00
· Patron – $125.00 -
· Benefactor – $250.00 -
· Corporate - $500.00
· Bronze - $1000 - $2,499
· Silver - $2,500 - $4,999
· Gold - $5,000 - $9,999
· Platinum - $10,000 – 24,999
· Diamond - $25,000 & up
· We also have a stock transfer plan for your contributions

In return for your support, you will receive not only a tax deduction, but also, invitations to all museum activities. Please give every consideration to helping with this endeavor. Be a part of Webster Parish history by becoming a member of the Webster Parish Dorcheat Historical Association and Museum.
Dues and pledge contributions may be mailed to:

Dorcheat Historical Association Museum
PO Box 1094

Minden, Louisiana 71058.

Friday, January 2, 2009

Dorcheat Historical Museum

Written by John Agan
Friday, 02 January 2009
Published in the Minden Press Herald
The past year was bittersweet for me in many ways; however, the highlight of the year was the opening of the Dorcheat Historical Museum. In the past I have written about the struggles that were endured over more than a half-century to bring this museum into existence.
This week’s Echo of Our Past will be more an Echo of Our Present and Our Future.

Although they didn’t know it, I am turning this space over to a couple of guest columnists this week – President Thad Andress and Executive Director Schelley Brown of the Dorcheat Museum.
Recently a newsletter was begun for members of the Association and it the first edition much of the story of the great things that took place this year was related.
So, today I am going to reprint some of the things from that newsletter, so that those of you who haven’t yet had the chance to participate in our museum will be brought up to date. My hope is that by the time the next quarterly newsletter is released, you will be a member and be able to read the news first hand.
To give credit in advance, most of what you read was written by Schelley Brown, as she composes the newsletter among the myriad of duties she has at the museum. I will also be including Thad’s President’s message from the issue.
The lead story of the newsletter is titled: “Museum Open For Business. The Dorcheat Historical Association Museum opened the doors officially on June 10, 2008. This was after a year-long construction and work phase that is still not complete. We now have the much-needed roof. Our volunteers and workers have been busy and have much more to do in the coming months and years.”
“Our first portion of the museum is nearly complete with minor tweaks along the way to take place. We still need items for the O’Bier Cabin exhibit. We need Civil War and Reconstruction items donated. Our Black History exhibit is in the works with the help of Dr. Roy Phillips and Mr. James Smith. Every day people come in with new items to add to our museum’s collection. This is how museums start, slow and steady. We are on the way!Never Completely Finished
“Soon we will begin working on our Children’s Learning Center. This room will have a seating capacity of over 100. A stage area and large screen monitor will be installed as well as a sound system. This area will have exhibits along the walls to enhance the museum experience for our visitors.
“A museum is never a completely finished project. New items are continuously found and donated. New Ideas always pop up to make things better. Please help us and take part. Remember, this is your museum, too!”In her Director’s Message, Schelley wrote the following:
“It has been a challenging, but very rewarding year at the museum. Thanks to our remarkable exhibit designer, Larry Milford, our museum is something we should all take great pride in. With the help of Webster Parish Convention and Visitors Bureau grant money we have made great progress in 2007 & 2008, and are looking forward to 2009 and all that it holds.
“Our monthly ‘Night for the Museum’ events at Christopher’s on Main Street are a huge success. Held the second Monday of every month except December, these have turned into a historic social gathering. These nights have brought people from all over the area and all walks of life to share their history and memories with us.
“One thing I think more people need to be aware of as we go forward is that amount of money this all costs. Without the help of a few very generous people, we would not be where we are today. My fear is, what happens these few can’t give anymore? It is up to all of us to join in this effort of financial support. It is so important that you support the museum in any way that you can. Financially as well as with volunteer hours are important and the lifeblood of a museum. Members are our most important and most treasured assets.
“Cora Lou Robinson is helping the museum with postcard invitations to our local schools. This important program will encourage our teachers to bring their students to the museum. We are very hopeful that this will take off in a big way all over the parish.
“Take time out and visit the museum or, better yet, plan your next meeting here. Let’s make history together in 2009.”President’s Message
This was Thad’s President’s Message:
“It’s been a great year for the museum. It’s truly wonderful that excitement that has been created in Minden. Can you imagine all those people talking about history? It wasn’t long ago that we were saying we had not history or at least not much. Then John Agan came along and let us know that we were almost the historical center of the world!”
“A new museum was a project waiting to happen. Several of us decided now was the time to do it and together, with a number of others, put up the money to begin the project. The opportunity to hire someone as talented as Larry Milford was a real Godsend. We hope you like what Larry has done. The exhibits are definitely his creations. We have a long way to go, but it will be done ‘right’.
“Our second Godsend was Schelley Brown. She is a workaholic with a new idea a day about how to raise money to support the museum. There are a lot of people with ideas for what other people should do. Schelley means to do them all herself.
“Our volunteer supporters are growing all the time. The same is true of those making donations to the museum. It takes a lot of money to keep going, around $60,000 a year. That doesn’t include new exhibits and renovations of our unfinished areas. We believe we are spending our donor’s money wisely. We hope that more will contribute and those that have will make additional and larger gifts.”An Asset
So now, you have had a little peak at what is going on at the museum. In case you didn’t know we are located at 116 Pearl Street in Downtown Minden, about one half block east of the Post Office, or, if you’ve been here a while, the old Major’s Office Supply building. Drop by and give the museum a look. We are open Tuesday through Friday from 10:00 a.m. until 1:00 p.m. and from 2:00 p.m. until 4:00 p.m. Saturday hours are from 10:00 a.m. until 12 Noon. Special tours can be arranged by calling the museum a 377-3002. I hope many of you will be calling that number to volunteer, or to provide those precious artifacts of local history we need to tell the story of our parish.I’m going to conclude this article with a long list, like the “begats” in the Bible. You know those lists in the Bible are lineages that help explain what made an individual or a people special Well, what follows in the “begat” list for the museum. These are those who have been listed as benefactors to the museum from 2006, through the end of October 2008. These good people have either helped financially or through donations of time and work. Now, if you’re name is missing, and you have given, chalk it up to me turning 50 this year and growing blind and forgetful. However, if your name is missing because you haven’t given, wont’ you consider joining these good folks in helping tell our story at the Dorcheat Historical Museum:Notes of ThanksWebster Parish Convention & Visitors Bureau, Mr. & Mrs. Thad Andress, Mr. & Mrs. Miller Andress, Coca Cola Bottling Company of Minden, Ann Mays Harlan, Mrs. Pat Stephens, Mr. & Mrs. Marcus Wren, Dr. Richard Campbell, City of Minden and Mayor Bill Robertson, Mr. & Mrs. Duane Cloud, Mr. & Mrs. Rick Cloud, Webster Parish Police Jury, Minden Main Street, Larry Milford, Claire Drake Moore, Mr. & Mrs. Charles Odom, Mrs. Cora Lou Robinson, Ronnie Sale, Mr. & Mrs. C. O. West, Joan Andress Williamson, Woodard Walker, LLC, John Agan, Dr. & Mrs. Richard Baker, Durwood Blake, Mr. & Mrs. D. B. H. Chaffe III, Phil Demaline, Mr. & Mrs. Ed LaBruyere, Charlotte Martin, Minden Historical Residential District Association, Ty Pendergrass, Linda Pound, Benton & Brown, The Rev. & Mrs. William R. Bryant, Mr. & Mrs. James Bryant, Judge John C. Campbell, Mr. & Mrs. Jack Carroll, Mr. & Mrs. Bobby Evans, Virginia Fox, George French, Mr. & Mrs. Robert Gorman, Frank Griffith, Mr. & Mrs. Jud Hale, Dr. & Mrs. Carl Hines, Mr. & Mrs. Ben Hunter, Mr. & Mrs. John Irving, Mr. & Mrs. Loye Jones, Mrs. Allyson Hancock Kinzel, Bob & Earlene Lyle, Mr. & Mrs. James Madden, Mr. & Mrs. Rodney Mason, Mr. & Mrs. Harry McInnis, Mike Merritt Timberland Services, Dr. & Mrs. Carter Norman, Mr. & Mrs. Glen Pittman, Mr. & Mrs. Homer Purtle, Regions Bank, Mr. & Mrs. Henry Bridges, Waynette Sharon, Mr. & Mrs. Terry Snook, Woodard Investments, Sallie H. Anderton, Gerard & Cheryl Benit, Mr. & Mrs. Fred Berry, State Representative Jean Doerge, Fiberbond Corporation, R. O. Machen, Gibsland Bank and Trust, Jean Mendenhall, Jeannine & Dr. Mark Miller, Mr. & Mrs. Bobby Mourad, Mr. & Mrs. Carleton Prothro, Mr. & Mrs. Lonnie Simpson, Fant & Collier Smith, Dr. & Mrs. Webb Stewart, Mrs. Barbara Stewart-Shaffer, Mr. Andrew Walker, Wal-Mart, Dr. & Mrs. G. W. Willis, Mr. & Mrs. T. C. Bloxom, Jr., Dr. & Mrs. Ed Brown, Dr. & Mrs. Fred Cabaniss, Mr. & Mrs. Billy Chanler, Mr. & Mrs. Bruce Corley, Judge and Mrs. Harmon Drew, Jr., Harry Edwards, Mr. & Mrs. Larry Elkins, Marcia Gater, Mr. & Mrs. Larry Hock, Marilyn & Lea Miller, George Rolfe, Mr. & Mrs. Lynn Sinclair, Ronnie Veitch, Robert White and Mr. and Mrs. R. E. Woodard.
John Agan is a local historian, an Instructor at Bossier Parish Community College, and a published author. His column appears Fridays in the Minden Press-Herald.

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